On April 15, Dior traveled to Brooklyn for their Pre-Fall 24 collection to bridge the gap between Parisian and New York styles. Delving into the history of the two cities’ rich relationship, the Statue of Liberty and Eiffel Tower are recurring motifs in this collection as the two icons represent the unshakable bond. Creative director Maria Grazia Chiuri went against Dior tradition and showcased this collection in an unlikely New York staple, the Brooklyn Museum.

Queen of the silver screen, Marlene Dietrich, is a large source of inspiration as her masculine silhouettes pioneered a new way of dressing for women of the time. The legendary actress was a friend of the house in its infancy and her dedication to dressing how she pleased aligns with Dior’s vision under Chirui. Fresh takes on 1940s womenswear and menswear suits provide modern women with the autonomy to mix and match pieces to best fit their style as Dietrich pioneered decades ago.

The 1940s influence has no signs of stopping as the looks continue with distinct silhouettes from the period. Midi dresses with thin belts are plucked out of the past but given new Dior prints. Classic lingerie slips are meant to be worn out as the designs are too good to be covered up. Americana looks are sprinkled throughout the Parisian styles as aviator suits and sunglasses get a high fashion spin while the American flag finds its way onto a streetwear look.

The collection culminates in a series of classic formal wear that has been reinterpreted for the modern woman. Crushed velvet is brought back into focus for a more quiet elegance while sequin looks continue to dazzle viewers. A womenswear spin on the tuxedo is also introduced with the constrictive pants being transformed into shorts to show some skin.