Hedi Slimane's New York Diary

Hedi Slimane's New York Diary

Presenting the first of three installments of Hedi Slimane's New York Diary.

Presenting the first of three installments of Hedi Slimane's New York Diary.

Photography: Hedi Slimane

Everyone has their own 
New York story. Whether 
you were born here or 
came in search of something 
more, the city that never 
sleeps has always welcomed 
those who dare to make 
their dreams a reality. In the 
first of a portfolio series 
photographed by Hedi Slimane, 
V pays homage to the artists, writers, and musicians who continue to keep the city’s 
heart beating. Part one of the series can be found in V105 or purchased separately as a stand-alone edition, both of which are available here.

James Chance

“[New York] has become so straight compared to the way it was [in the 1970s and ’80s]…There was such an incredible influx of young people with no money who just came here to do something creative. And people like that just couldn’t exist in New York the way it is now...The young people who are coming here now are rich kids, basically...When I told people in Milwaukee I was coming to New York, they all said, ‘Oh, you better get a gun! You better
get a gun if you’re going on the subway.’ I mean, I was mugged a couple times...but I was always pretty comfortable.”—SuperDeluxe, 2007

Dani Miller of Surfbort

“The streets are magical. The people here are so hardworking and full of life. 
In bleak times, we support each other. My band—Sean Powell, Charlotte Wimberley and Alex Kilgore—all make art with different mediums (painting, screenprinting, film), and being in such a fast-paced, overstimulating place like New York breeds a hyper-creative environment. As soon as I get to my front door from walking through the streets, I already have many images racing through my mind to translate into my art.”

Dan Graham

“My experience in seeing New York’s shopping streets was very important to me. When I was 14, I read Jean-Paul Sartre’s Being and Nothingness and I think my interest in the inter-subjective gaze comes from his idea of the child’s ‘mirror stage’ in terms of cities. Showcase windows use ‘mirror stage’ optics: when you’re looking at a display you see both the products and—on fragmented 
mirrors—distorted images of yourself as an un-whole body. A ghost image of yourself is displayed, superimposed on the product; if you buy the product then you can become whole again.”—Frieze, 2012

Kembra Pfahler

“New York means home to me. Freedom. Independence. I have a cool place to live here that I try to share with my friends and family. Growing up in Los Angeles, entertainment culture permeates everything, even if you have no desire to be in show business. New York artists have their anonymity if they want it. It’s not as important who you are as much as what you make happen.”

Hannah Mohan of And The Kids 

“New York means getting used to the smell of urine and making friends with rats. Resilience, blinding passion, perseverance. It’s a city built for dreamers, by dreamers, at the expense of dreamers.”

Martin Rev

“New York is what it makes you feel.”

Thurston Moore

“In a free lane, ghosts passing time

Heat rises, lights through the town

Blown soundscapes, blue city eyes

Black lightning, a new angel flies”

“Free City Rhymes,” from the Sonic Youth album 
NYC Ghosts & Flowers

Eileen Myles

“I lived through the New York blackout in 1977. Everybody had a really good time in bars—all drinks were the same price. There were only candles and a woman was directing traffic on 8th Street in a nightgown and a lantern. People immediately reverted to fun and togetherness. All blackouts (two I’ve lived through) and 9/11 had this New York collective intimacy, which I know as home.”

Jack + Eliza

“We were both born and raised here...I feel like it’s in my blood at this point to enjoy doing a lot at once, to like being overstimulated, to fear relaxation...The energy is just different here and isn’t comparable to anything or anywhere.” —Eliza Callahan

Lydia Lunch

“I crash-landed in NYC at 16 in 1976 ready to riot. I was a teenage art terrorist, with a baby face and killer instincts. I moved into a loft in Chelsea where Lenny Bruce’s daughter Kitty was moving out of. The group Suicide were playing at Max’s Kansas City. They were my first friends. I started Teenage Jesus and the Jerks because spoken word didn’t really exist yet. Weirdly enough, half the songs were instrumentals.”

Genesis P-Orridge

“All my life until 1968, we kept moving for my father’s jobs, so developed 
NO set of lifelong friends at all. New York is the very first city we have missed when abroad. Been thrilled to butterflies on seeing the skyline in a taxi 
from JFK. It is the place and community that accepted me, my ideas, and 
aspirations, without hesitation. We finally DO have a lifelong group of special friends. We love being private or partying without having to justify my choices. Being accepted after a lifetime of rejection, ridicule, and ignorance. Everyone can find their own chosen family here, the others who are their ‘tribe.’”

Francesco Clemente


Q: What era best represents New York’s golden age for you?

A: Tomorrow.

Keltie Ferris

“I first visited in the late ’80s as a kid. I was shocked by the homeless people begging in the extreme cold and how you were supposed to ignore it.
 Less shocking was the public sex I witnessed hours later.”

Michael D'Addario of The Lemon Twigs

A preview of Hedi Slimane's New York Diary, Part Two.

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