We all live life in motion, but Meg Donnelly takes it to the next level—dancing, singing, acting, and building a career that thrives at the intersection of all three. Raised in musical theater, she credits her early-stage training with shaping her wide range and savvy instincts in performance. “You train in dancing, singing, and acting,” she says. “It’s just so helpful to be familiar with each category and become comfortable doing all of it.”

Meg wears trench coat and scarf BURBERRY | Jadaron heels MANOLO BLAHNIK | Trinity earrings CARTIER | Ring CHRISTINA CARUSO

That versatility became her calling card during her rise through projects like Disney’s Zombies and American Housewife, two titles that helped define a generation of youth-driven pop culture. Looking back, Donnelly sees that era as both formative and expansive. “Both projects shaped who I was because I was so young but have also given me so many incredible opportunities,” she reflects. Remaining part of the Zombies universe as it’s grown—and watching fans grow up alongside her—has been surreal. “It is so mind-blowing that kids have grown up with me… it’s the most unique, coolest thing ever.”

Now, Donnelly is stepping into a new chapter marked by greater demand, vulnerability, and transformation. She’s currently starring as Satine in Moulin Rouge! The musical on Broadway tackling one of theater’s most iconic and maximalist roles. “Playing Satine has hands-down been the hardest thing I’ve ever had to do,” she admits, “but it’s genuinely the best path I could’ve ever taken.” The role has pushed her both artistically and personally, requiring stamina, confidence, and emotional resilience. “I get to be this confident, sexy version of myself that I don’t usually show… it’s really special to come into my womanhood.” Offstage, music remains an equally central part of her creative identity. Her EP, dying art, offered a more introspective glimpse into her mind as a growing actor. “It has all my musical influences that I love,” she says. The title track, in particular, holds weight. “Dying art is really special to me because it’s how I view the industry—and I think it’s really relatable for many people.”

This story appears in the pages of V159: on global newsstands now!

Photography Dario Castillo

Fashion Tabitha Sanchez

Interview Teller Thomas

Makeup Marco Campos (Forward Artists)

Hair Andrew Chen (The Only Agency)

Editor Kev Ponce

Fashion Market Editor Copelyn Bengel

Photo Assistants Loul Rafael, Luna La Sirena

Styling Assistants Spencer Bronfman, Angelina Aliano, Juliet Bernard-Rovito

Production Assistant Payton Liddell, Sarine Gabriel, Chase Williams

Location PARAGON